Celtic$12195$ - ترجمة إلى إيطالي
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Celtic$12195$ - ترجمة إلى إيطالي

MUSIC GENRE
Celtic reggae; Celtic Fusion; Celtic hip hop; Celtic rap

Celtic      
n. celtico
Celtic languages         
  • date=31 March 2017}} John T. Koch, Vol 1, p. 233</ref>
  • Classification of Celtic languages according to Insular vs. Continental hypothesis. ''(click to enlarge)''
  • Classification of Indo-European languages. ''(click to enlarge)''
  • Breton]])}}
LANGUAGE FAMILY
Celtic language; Q-Celtic; List of Celtic languages; Celtic Languages; P-Celtic and Q-Celtic languages; Q-Celtic hypothesis; Q-Celts; Q Celtic; P-Celtic/Q-Celtic hypothesis; Q Group; Keltic languages; P-Celtic and Q-Celtic; ISO 639:cel; Celtic language family; Celtic language group; Celtic-language; Q-Celtic languages
Lingue celtiche (lingue antiche dell"Europa nordoccidentale)
human sacrifice         
  • Freycinet]]'s travels around the world from 1817 to 1820
  • Fierce goddesses like [[Chamunda]] are recorded to have been offered human sacrifice.
  • A "[[Tumi]]", a ceremonial knife used in Andean cultures, often for sacrificial purposes
  • Aztec heart sacrifices, [[Codex Mendoza]]
  • The funeral procession of ''Tattooed Serpent'' in 1725, with retainers waiting to be sacrificed
  • [[Cimbrian seeresses]] performing human sacrifice, from ''Germania'' by [[Johannes Scherr]].
  • [[James Cook]] witnessing human sacrifice in [[Tahiti]] c. 1773
  • Tlatelolco]]
  • Human sacrifice in the kingdom of [[Dahomey]]
  • "The Maiden", one of the [[Llullaillaco mummies]], Inca human sacrifice, [[Salta province]] ([[Argentina]])
  • Human sacrificial victim on a Maya vessel, 600–850 CE ''(Dallas Museum of Art)''
  •  18th&nbsp;century depiction of the Moloch idol (''Der Götze Moloch mit 7 Räumen oder Capellen.'' "The idol Moloch with seven chambers or chapels"), from [[Johann Lund]]'s ''Die Alten Jüdischen Heiligthümer'' (1711, 1738)
  • Altar for human sacrifice at [[Monte Albán]]
  • Mound 72&nbsp;mass sacrifice of 53&nbsp;young women
  • An angel ends the [[Binding of Isaac]] by [[Abraham]] – believed to be a foreshadowing of the ''human sacrifice'' of Christ (''The Offering of Abraham, Genesis 22:1–13'', workshop of [[Rembrandt]], 1636; ''[[Christian art]]'')
  • The mythological sacrifice of [[Polyxena]] by the triumphant Greeks at the end of the [[Trojan War]]
  • mosaic]] from [[Roman Spain]]
  • Human sacrifice from the [[Shang dynasty]] in China
  • url=https://www.jstor.org/stable/25058378}}</ref>
  • A group of [[Thuggee]]s strangling a traveller on a highway in India in the early 19th century.
  • The remains of the [[Tollund Man]] shortly after his discovery in 1950.
  • The history of Dahomy, an inland Kingdom of Africa]]'', 1793
  • A 19th century depiction of a wicker man
RITE
Celts and human sacrifice; Ritual killing; Human sacrifices; Bog murders; Human Sacrifice; Incan human sacrafice; Ritual murder; Ritual Murder; Retainer sacrifice; Celtic human sacrifice; Human sacrifice in Tibet; Human sacrifice in Germanic paganism; Human sacrifice in China; Human sacrifice (China); Nara bali; Human sacrifice in India; Blood god; Human sacrifice in the Ancient Near East
sacrificio umano (offerta in sacrificio di essere umano agli dei)

تعريف

Q-Celtic
¦ noun & adjective another term for Goidelic.
Origin
Q, from the retention of the Indo-Eur. kw sound as q or c in this group of languages.

ويكيبيديا

Celtic fusion

Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.

The oldest musical tradition which fits under the label of Celtic fusion originated in the rural American south in the early colonial period and incorporated Scottish, Scots-Irish, Irish, and African American influences. Variously referred to as roots music, American folk music, or old-time music, this tradition has exerted a strong influence on all forms of American music, including country, blues, and rock and roll. The connections between traditional Scottish and Irish music and Rock music are deep and go back to the origins of American music. As Elvis Costello put it:

"I started with rock n' roll and...then you start to take it apart like a child with a toy and you see there's blues and there's country...Then you go back from country into American music...and you end up in Scotland and Ireland eventually."

Another manifestation of this syncretic tendency emerged in New York City in the 1890s, as bands performing traditional Irish music for the large Irish immigrant community there began incorporating big band influences, adding brass and reed instruments and performing quicksteps, foxtrots, and other popular contemporary dance tunes.

More recently, there has been a flowering of several distinct genres of Celtic fusion. These can be roughly broken down as follows: